A Tubist’s Embouchure: A Case Study

I put together the above video to show an unusual embouchure I happened to document for my embouchure research.  This case is particularly interesting for a couple of features.  First, since it’s more challenging to get clear video footage of embouchure characteristics on a smaller mouthpiece, the tuba embouchure makes i very easy to see examples of certain embouchure characteristics.  Secondly, this tubist plays very well, in spite of some embouchure idiosyncrasies that make for noticeable flaws in his technique.

First, a little background about the subject.  At the time I recorded this video he was a college music student, actually majoring in piano.  He had played tuba for quite a while, though, and was continuing to perform and study tuba as a secondary instrument.  While a fine player, this subject complained of some difficulties playing in tune at a couple of points while taking this video footage.  He had some difficulties with his high range and at a particular point in his range chipped a lot of notes. Continue reading A Tubist’s Embouchure: A Case Study

The Three Basic Embouchure Types

When looking closely at a large number of brass player’s embouchures certain patterns emerge, irrespective of the player’s instrument or practice approach.  Using two universal features of all brass embouchures, the air stream direction as it pass the lips into the mouthpiece and the pushing and pulling of the lips and mouthpiece together up and down along the teeth, it’s possible to classify all brass embouchures into three basic types.

Since each of these three basic embouchure types function quite differently from each other it’s important for brass teachers to understand them, as different types respond to the same instruction in different ways.  Understanding what proper embouchure form is for each type will help teachers guide their students more efficiently and also understand when a player is playing on an embouchure that isn’t appropriate for his or her anatomy.  When confronted with a serious embouchure dysfunction it can help teachers discover the real cause of the troubles and how to best go about correcting them. Continue reading The Three Basic Embouchure Types

Brass Embouchures: A Guide For Teachers and Players

On November 8, 2009 I gave this presentation to the North Carolina Music Educators Convention, held in Winston-Salem, NC.  I was pleasantly surprised to have a generally full room of musicians and music educators who mostly seemed genuinely interested in learning more about a topic that is typically ignored in favor of a “let the body figure itself out” practice.

In order to make this information more accessible for both my NCMEA audience as well as to the general public, I created a video that includes my slide show notes, video footage, and the narration from my presentation. 

Continue reading Brass Embouchures: A Guide For Teachers and Players