{"id":1921,"date":"2011-02-18T10:21:10","date_gmt":"2011-02-18T15:21:10","guid":{"rendered":"http:\/\/www.wilktone.com\/?p=1921"},"modified":"2023-03-27T10:42:09","modified_gmt":"2023-03-27T14:42:09","slug":"friday-music-theory-puzzle-spot-the-parallels","status":"publish","type":"post","link":"https:\/\/wilktone.com\/?p=1921","title":{"rendered":"Friday Music Theory Puzzle &#8211; Spot the Parallels"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">I haven&#8217;t done a music theory puzzle in a while. &nbsp;Here&#8217;s one to keep everyone&#8217;s brain sharp over the weekend, taken from Ludwig van Beethoven&#8217;s Symphony no. 6 (Pastoral). &nbsp;This work is noted for its rustic feeling. &nbsp;One way Beethoven got this sound was to intentionally utilize parallel 5ths and 8vs, normally avoided at the time. &nbsp;The following excerpt from the 1st movement of this symphony contains one example of parallel 8vs and 2 examples of parallel 5ths.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"322\" data-attachment-id=\"7910\" data-permalink=\"https:\/\/wilktone.com\/?attachment_id=7910\" data-orig-file=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?fit=1110%2C545&amp;ssl=1\" data-orig-size=\"1110,545\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Symphony-No.-6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?fit=656%2C322&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?resize=656%2C322&#038;ssl=1\" alt=\"\" class=\"wp-image-7910\" title=\"Symphony-No.-6\" srcset=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?resize=1024%2C503&amp;ssl=1 1024w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?resize=300%2C147&amp;ssl=1 300w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?resize=768%2C377&amp;ssl=1 768w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6.jpg?w=1110&amp;ssl=1 1110w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Until the 20th century, most European composers (and composers highly influenced by &#8220;classical&#8221; music) avoided writing separate parts that moved in parallel octaves or 5ths. &nbsp;They were heard as destroying the independence of each part. &nbsp;Listening with our ears today it&#8217;s not so obvious, but at the time that Beethoven lived these sounds would be noticeable to many listeners.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Can you spot them all? &nbsp;Answer after the break.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Here they are. &nbsp;The parallel octaves are marked in red and the parallel 5ths in blue.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"322\" data-attachment-id=\"7911\" data-permalink=\"https:\/\/wilktone.com\/?attachment_id=7911\" data-orig-file=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?fit=1110%2C545&amp;ssl=1\" data-orig-size=\"1110,545\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Symphony-No.-6-show-paralle\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?fit=656%2C322&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?resize=656%2C322&#038;ssl=1\" alt=\"\" class=\"wp-image-7911\" title=\"Symphony-No.-6-show-paralle\" srcset=\"https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?resize=1024%2C503&amp;ssl=1 1024w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?resize=300%2C147&amp;ssl=1 300w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?resize=768%2C377&amp;ssl=1 768w, https:\/\/i0.wp.com\/wilktone.com\/wp-content\/uploads\/2023\/03\/Symphony-No.-6-show-paralle.jpg?w=1110&amp;ssl=1 1110w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The first two are a little tricky to spot, since they&#8217;re disguised with some octave displacement. &nbsp;In the parallel octaves the violin II ascends from F to Bb where the cello descends. &nbsp;The parallel 5ths between the viola and cello are similar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Did you spot all three? \u00a0How many just got one or two of them? \u00a0How long did it take you?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I haven&#8217;t done a music theory puzzle in a while. &nbsp;Here&#8217;s one to keep everyone&#8217;s brain sharp over the weekend, taken from Ludwig van Beethoven&#8217;s Symphony no. 6 (Pastoral). &nbsp;This work is noted for its rustic feeling. &nbsp;One way Beethoven got this sound was to intentionally utilize parallel 5ths and 8vs, normally avoided at the &hellip; <a href=\"https:\/\/wilktone.com\/?p=1921\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Friday Music Theory Puzzle &#8211; Spot the Parallels<\/span><\/a><\/p>\n","protected":false},"author":15350306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1364],"tags":[],"class_list":["post-1921","post","type-post","status-publish","format-standard","hentry","category-composition"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peFHCc-uZ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/1921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/users\/15350306"}],"replies":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1921"}],"version-history":[{"count":1,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/1921\/revisions"}],"predecessor-version":[{"id":7912,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/1921\/revisions\/7912"}],"wp:attachment":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}