{"id":3333,"date":"2012-03-20T17:06:49","date_gmt":"2012-03-20T21:06:49","guid":{"rendered":"http:\/\/www.wilktone.com\/?p=3333"},"modified":"2023-03-30T09:18:19","modified_gmt":"2023-03-30T13:18:19","slug":"sammy-nestico-interview-by-dave-black","status":"publish","type":"post","link":"https:\/\/wilktone.com\/?p=3333","title":{"rendered":"Sammy Nestico Interview by Dave Black"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">While some people may feel the compositions and arrangements by Sammy Nestico are dated, I have always loved his music and count Nestico as being one of my biggest influences. &nbsp;In the summer of 1993 the now defunct International Association of Jazz Educators published an interview of Nestico by percussionist and composer&nbsp;<a href=\"http:\/\/www.daveblackmusic.com\/\">Dave Black<\/a>. &nbsp;Black has made his interview available <a href=\"http:\/\/www.daveblackmusic.com\/pdfs\/16_InterviewSammyNestico.pdf\">here<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of my favorite questions by Black, and Nestico&#8217;s response, was:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Do you have a special approach to your writing which has made your compositions so successful? &nbsp;<\/strong><\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">It&#8217;s hard to answer that question. &nbsp;I&#8217;ve always felt that there are three elements in music &#8211; melody, harmony, and rhythm &#8211; and I try to make my music as melodic as possible. &nbsp;I love Tchaikovsky! &nbsp;When you go to the Hollywood Bowl to hear Tchaikovsky, it takes two nights to play all his music because people love to hear melodies. &nbsp;I always think about an audience listening to my music, so I&#8217;m very conscious about melody first, harmony second, and rhythm last. &nbsp;That&#8217;s the rule I try to follow, and it seems to please the people who like my music.<\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Today&#8217;s contemporary music, however, very successfully reverses these elements &#8211; rhythm has become the most important element, melody is second in importance and harmony is third.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Thanks to Jim Martin for passing this along to me. &nbsp;Jim is a fantastic composer and arranger. &nbsp;I have a <a href=\"http:\/\/pdfjazzmusic.com\/composers\/big-band-charts-by-jim-martin\/\">few of his charts<\/a> in the <a href=\"http:\/\/www.ashevillejazz.org\/\">Asheville Jazz Orchestra<\/a> book that we play a lot.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While some people may feel the compositions and arrangements by Sammy Nestico are dated, I have always loved his music and count Nestico as being one of my biggest influences. &nbsp;In the summer of 1993 the now defunct International Association of Jazz Educators published an interview of Nestico by percussionist and composer&nbsp;Dave Black. &nbsp;Black has &hellip; <a href=\"https:\/\/wilktone.com\/?p=3333\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Sammy Nestico Interview by Dave Black<\/span><\/a><\/p>\n","protected":false},"author":15350306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1364,1374,1378],"tags":[],"class_list":["post-3333","post","type-post","status-publish","format-standard","hentry","category-composition","category-history","category-jazz"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peFHCc-RL","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/3333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/users\/15350306"}],"replies":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3333"}],"version-history":[{"count":1,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/3333\/revisions"}],"predecessor-version":[{"id":8158,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/3333\/revisions\/8158"}],"wp:attachment":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}