{"id":7349,"date":"2010-03-26T01:47:24","date_gmt":"2010-03-26T01:47:24","guid":{"rendered":"http:\/\/www.wilktone.com\/?p=196"},"modified":"2023-03-26T10:56:26","modified_gmt":"2023-03-26T14:56:26","slug":"25-essential-big-band-albums-plus-some-additional-picks","status":"publish","type":"post","link":"https:\/\/wilktone.com\/?p=7349","title":{"rendered":"25 Essential Big Band Albums (Plus Some Additional Picks)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">While the heart and soul of jazz has always been improvisation, I&#8217;m a huge fan of the pre-arranged sounds of the big band, particularly the great bands that had amazing composers\/arrangers combined with incredible improvisers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Downbeat recently published an <a href=\"http:\/\/www.downbeat.com\/digitaledition\/2010\/DB201004\/single_page_view\/40.html\">article<\/a> detailing some of the best big band albums after polling a number of musicians about their favorite big band albums.&nbsp; The top 25 albums aren&#8217;t very surprising to me, they have the usual suspects such as a lot of Duke Ellington, Count Basie, Thad Jones, Maria Schneider and Gil Evans.&nbsp; Some of my favorite albums are left off, though, so here are a few of my additions to their list.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Count Basie, <a href=\"http:\/\/www.amazon.com\/Road-Count-Basie\/dp\/B000000Z1B\"><em>On The Road<\/em><\/a>.&nbsp; Recorded live in 1979, I believe, this album features a number of great arrangements and all the solos on this recording are outstanding.&nbsp; I&#8217;m a particular fan of trombonist Booty Wood&#8217;s soloing on <em>Booty&#8217;s Blues<\/em> and Frank Foster&#8217;s arrangement of <em>In A Mellow Tone<\/em>, but bassist John Clayton&#8217;s solo on <em>John the Third<\/em> is also one of my favorites from this album.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dizzy Gillespie, <a href=\"http:\/\/www.amazon.com\/At-Newport-Dizzy-Gillespie\/dp\/B0000046LR\"><em>Live at Newport<\/em><\/a>.&nbsp; Another live big band album, this one recorded in 1957.&nbsp; While the arrangements themselves aren&#8217;t especially innovative (although I love Ernie Wilkin&#8217;s tongue-in-cheek arrangement of <em>Doodlin&#8217; <\/em>here), the soloing on this album are incredible all over.&nbsp; Including Dizzy, memorable soloists on this album include trombonist Al Grey and tenor saxophonist Benny Golson.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Maynard Ferguson, <a href=\"http:\/\/www.amazon.com\/M-F-Horn-Jimmys-Maynard-Ferguson\/dp\/B000LRZ052\"><em>Live at Jimmy&#8217;s<\/em><\/a>.&nbsp; Maynard always led a fantastic band and this particular one is my favorite.&nbsp; This recording was done in 1974 and includes some of Maynard&#8217;s classic charts, including <em>MacArthur Park<\/em>, <em>Fox Hunt<\/em>, and <em>Got the Spirit<\/em>.&nbsp; My favorite soloist on this album has to be New Zealander Bruce Jonstone on baritone saxophone, who plays all over this record.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mel Lewis and the Jazz Orchestra, <a href=\"http:\/\/www.amazon.com\/Live-Village-Vanguard-Lewis-Brookmeyer\/dp\/B000008BLE\/ref=sr_1_3?ie=UTF8&amp;s=music&amp;qid=1269695887&amp;sr=1-3\"><em>Live at the Village Vanguard<\/em><\/a>.&nbsp; Mel Lewis is one of my all-time favorite big band drummers and this particular album features the compositions and arrangements of one of my favorite jazz composers, Bob Brookmeyer.&nbsp; It&#8217;s hard to pick a favorite tune from this album, but Jim McNeely&#8217;s soloing on <em>Ding, Dong, Ding<\/em> is a definitely highlight.&nbsp; Trumpet player and long-time collaborator of Brookmeyer Clark Terry sits in too.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stan Kenton, <a href=\"http:\/\/www.amazon.com\/Concepts-Artistry-Rhythm-Stan-Kenton\/dp\/B000005HFC\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1269696226&amp;sr=1-1\"><em>New Concepts of Artistry in Rhythm<\/em><\/a>.&nbsp; The only studio album from my five additions, this album has a couple of my favorite charts from Kenton&#8217;s band.&nbsp; I&#8217;ve always enjoyed the clever writing on the opening track, <em>Prologue (This Is an Orchestra)<\/em> where Kenton introduces the entire band and the role they play in his orchestra.&nbsp; And of course, as a trombonist, I have to favor two tunes that feature the great Frank Rosolino, <em>Frankly Speaking<\/em> and&nbsp;<em> 23 Degrees North &#8211; 82 Degrees West<\/em> (the coordinates of Cuba make the title for this Afro-Cuban groove chart).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It&#8217;s so hard to come up with a list like this and as I try to finish off with this post I&#8217;m thinking of even more great big band albums I&#8217;d like to mention by bands like the Woody Herman Thundering Herd, records by the Village Vanguard Jazz Orchestra (particularly the ones that feature Jim McNeely&#8217;s writing), and more Thad Jones, Count Basie, and Duke Ellington albums not mentioned in the Downbeat article.\u00a0 If you&#8217;ve got more you&#8217;d think deserve mention, leave them in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While the heart and soul of jazz has always been improvisation, I&#8217;m a huge fan of the pre-arranged sounds of the big band, particularly the great bands that had amazing composers\/arrangers combined with incredible improvisers. Downbeat recently published an article detailing some of the best big band albums after polling a number of musicians about &hellip; <a href=\"https:\/\/wilktone.com\/?p=7349\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">25 Essential Big Band Albums (Plus Some Additional Picks)<\/span><\/a><\/p>\n","protected":false},"author":15350306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1378],"tags":[],"class_list":["post-7349","post","type-post","status-publish","format-standard","hentry","category-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peFHCc-1Ux","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/7349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/users\/15350306"}],"replies":[{"embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7349"}],"version-history":[{"count":1,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/7349\/revisions"}],"predecessor-version":[{"id":7610,"href":"https:\/\/wilktone.com\/index.php?rest_route=\/wp\/v2\/posts\/7349\/revisions\/7610"}],"wp:attachment":[{"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wilktone.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}