Happy Spring 2013 Semester

Today is the first day of my spring semester of 2013. To celebrate, here’s a link dump of some very scholarly resources to start your semester off right.

Conductor cards, collect your favorites.

Trying to Get Good, trailer for a Jack Sheldon documentary (PG13 humor in there, you’ve been warned).

Whitney Music Box, a musical realization of the motion graphics of John Whitney as described in his book “Digital Harmony”

Watch a Trombonist’s Shockwave, “Musicians sitting in front of the trombone or trumpet have suffered from these shock waves.”

Simulated Guitar String Oscillations, what happens when you video your guitar strings from the inside with a cell phone camera?

Rachmaninov Had Big Hands, how is a small handed pianist able to cope?

John Swana Hits a Triple C!!! and he makes it look so easy.

Good luck to all students and teachers out there with your semester!

National Standards for Music Education

The National Association for Music Education (NAfME) has worked to come up with national standards for music education. This list is intended to help music educators develop curriculum for their students and they include the following 9 standards:

  1. Singing, alone and with others, a varied repertoire of music.
  2. Performing on instruments, alone and with others, a varied repertoire of music.
  3. Improvising melodies, variations, and accompaniments.
  4. Composing and arranging music within specified guidelines.
  5. Reading and notating music.
  6. Listening to, analyzing, and describing music.
  7. Evaluating music and music performances.
  8. Understanding relationships between music, the other arts, and disciplines outside the arts.
  9. Understanding music in relation to history and culture.

For those of us involved in music education or studying to become music teachers these standards may already reflect what we teach and our teaching goals. However, depending on the school and circumstances some of these standards are obviously easier to work into the curriculum than others. For example, if you’re not already familiar with improvisation or composition meeting standard 3 may be quite a challenge. Rehearsing for concerts and contests may not leave much time for music teachers to work on standards 8 and 9. That said, these are attainable goals for most situations I’m familiar with and while not a perfect list, do help music teachers think about what we’re already doing and how we can improve the quality of our teaching.

“MuzikMadders” has written music to the National Standards for Music Education and posted it on YouTube. Thanks to Dr. Michael Shallock at Western Carolina University for finding this clever video.

Using music to memorize information is a great mnemonic trick. Making up lyrics to music you need to identify on drop the needle exams that music students often get is a similar way of helping you learn the titles of pieces and their composers.

Being an Effective Music Student

Happy new academic year! In honor of the fall semester starting up for me today, here is David Zerkel’s list of 10 things for being a more effective music student.

  1. Take your classes seriously.
  2. Listen to as much music as you can.
  3.  Learn and know your scales and arpeggios.
  4. Schedule your practice time as though it were a class.
  5. Go to concerts.
  6. Embrace what technology has to offer us in developing as musicians.
  7. Be curious.
  8. Play with your peers.
  9. Be serious about your pursuit of excellence.
  10.  Know that every great musician in the world still considers himself or herself a student of music.

Read up on what Zerkel says about each item on the Horngasmic blog’s repost of his list. Then go check out what James Boldin adds to this list on his Horn World blog.

What Teachers Really Want To Tell Parents (and Coaches and Administrators)

The article is a few years old, but the sentiment still holds true. Ron Clark, writing for CNN, tells parents what many of our teachers want to tell parents today. Here are a couple of examples.

 For starters, we are educators, not nannies. We are educated professionals who work with kids every day and often see your child in a different light than you do. If we give you advice, don’t fight it. Take it, and digest it in the same way you would consider advice from a doctor or lawyer.

One of my biggest pet peeves is when I tell a mom something her son did and she turns, looks at him and asks, “Is that true?” Well, of course it’s true. I just told you. And please don’t ask whether a classmate can confirm what happened or whether another teacher might have been present. It only demeans teachers and weakens the partnership between teacher and parent.

Perhaps these situations are more reflections on a larger issue, that of American society’s mainstream beliefs about what it means to be a teacher. Mike Rose writes in his book, Why School? Reclaiming Education for All of Us, makes note of how many politicians and philanthropists do the “teacher for a day” photo-op.

 What is telling to me is that we don’t see this sort of thing with other professions. A presidential candidate tours a hospital, but isn’t a “urologist for a day.” A philanthropist visits a women’s shelter, but doesn’t lead a counseling session.

Parents today have a reputation for being so supportive to their children to the point of making excuses and insisting that teachers change grades or otherwise be more accommodating. These so-called “helicopter parents” have become such a large problem that some colleges and universities hold separate events for parents and students in order to keep parents from intervening in student activities. It’s even gotten to the point where human resource departments get contacted by parents of recent graduate job applicants.

Fortunately, I haven’t had too many problems with parents intervening with my students. I’ve only had three or four real problems, but a couple of them are interesting. In one case a new student auditioned for an ensemble I was directing that semester and didn’t make the group. His mother called me up to tell me how talented her son was and surely I just wasn’t capable of seeing that so put her son in the group. I tried to explain that while her son did have the abilities to perform with the group, it was an auditioned ensemble and an older and more experienced student beat her son for the chair, but he was welcome to audition again the next semester. She was having none of that and after hanging up on me called the department chair (who was supportive of me and dealt with it).

Returning to Clark’s article, he describes even worse situations.

I had a child cheat on a test, and his parents threatened to call a lawyer because I was labeling him a criminal. I know that sounds crazy, but principals all across the country are telling me that more and more lawyers are accompanying parents for school meetings dealing with their children.

I’ve caught students cheating before. While I’ve never had to deal with parents after this happens, I have had to defend my actions to coaches and administrators after the fact. I should say that my department chairs have always supported me when this happens, but a couple of the coaches seemed to expect me to cave and allow their student athletes more slack than I would any other student.

Clark finishes his article with good advice for parents (and coaches and administrators).

We know you love your children. We love them, too. We just ask — and beg of you — to trust us, support us and work with the system, not against it. We need you to have our backs, and we need you to give us the respect we deserve. Lift us up and make us feel appreciated, and we will work even harder to give your child the best education possible.

Tyson Tunes Up for Middle School Jazz Ensemble

I just completed another big band composition for middle school level.  Since I wrote this one for my friend Tyson Hamrick’s group at Owen Middle School, I called it Tyson Tunes Up.  It’s a rhythm changes chart in the key of F with lots of riffs and a few quotes of other familiar tunes also using rhythm changes.  I wanted to write something that would be a good introduction to these very common jazz changes.  Here’s a MIDI realization of the chart.  See if you can name all of the quotes.

Like I did with my last middle school big band chart, Blackhawk Blues, I left the solo section in the MIDI file without a placeholder solo so that students could use it as a practice track.  If you want to download a copy to practice improvising over rhythm changes in F, here’s the file.

College Teacher Wages

David C. Levy was formerly the chancellor of the New School University.  He recently wrote an op-ed for the Washington Post where he asks Do college professors work hard enough?  In his article he argues that college professors earn too much for the amount of work they do.

I have to admit to being biased against Levy’s position, having been teaching college either as an adjunct or full-time since 1998.  My first issue is with his seemingly mistaken view of how much work a college professor actually does.

Though faculty salaries now mirror those of most upper-middle-class Americans working 40 hours for 50 weeks, they continue to pay for teaching time of nine to 15 hours per week for 30 weeks, making possible a month-long winter break, a week off in the spring and a summer vacation from mid-May until September.

Now in Levy’s defense, he does admit that a college faculty’s load is more than just the 9-15 actual contact hours per week.  There is also grading, advising, serving on committees, research and other professional development and more.  However, he does seem to be less than honest when making many of his points.  

Continue reading “College Teacher Wages”

Reducing Academic Pressure Through Failure

When I first saw the title of this article in Science Daily I was skeptical.  I figured an article with the title Reducing Academic Pressure May Help Children Succeed would be along the “A for effort” lines.  Unfortunately there seems to be a trend towards grade inflation, in spite of how current pedagogical research shows that reducing academic pressure in this way doesn’t actually improve students’ learning.  But this article covering research by Dr. Frederique Autin demonstrates how failure is a normal part of the learning process and can be used to actually improve the long term outcome.

It’s not about reducing pressure through grade inflation or dumbing down the work, in fact Autin’s study actually took a close look at the reverse situation.  In one experiment he gave students a problem to solve that was above their abilities, but the students in the test group were told that learning was difficult and that failure was common while the control group were just asked to solve the problem.  Both groups were then given a test to measure their working memory capacity.

The students who were told that learning is difficult performed significantly better on the working memory test, especially on more difficult problems, than the second group or a third control group who took the working memory test without doing the anagrams or discussions with researchers.

As with all studies of this nature it’s important to put the results into a proper context.  For example, the students’ improvements were temporary, yet there are some important implications.

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Advice For Students Writing Music Papers

The last semester of 2010 just wrapped up.  Due to the nature of two of the lecture courses I just taught, I ended up with a lot of papers to grade during the last 3 weeks of the semester.  While reading them I made note of some of the common traps that my students run into when writing about music.  Even when I go over these mistakes in class, some of them are easy to make.

There are plenty of common writing issues that crop up regardless of the topic of the paper, such as grammar and proper form and style.  Different teachers will have their own policies.  Personally, I don’t care too much if the paper is done in MLA, APA, or Chicago style, as long as it is consistent (although I’m speaking here for mostly non-music majors taking elective courses).  Don’t make up your own system of citing and such.  Find out what your teacher wants you to use and make sure that you’re following it.

Here then are some common traps to avoid when writing papers about music.

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Changing Education Paradigms

I’ve seen some of these RSA works before.  They create neat animations set to public speeches and other events.  This particular one’s soundtrack is a talk about education by Sir Ken Robinson on our standard education model.  Some very interesting food for thought, as well as being a slick animation to boot.

I just spent a couple minutes poking around Sir Robinson’s web site and it looks like there’s some interesting things to explore, plus lots of bells and whistles (it might load poorly on slow connections).